We Are All Bots by Andrea Pizzo and the Purple Mice is a compact yet ambitious concept EP that fuses electro-rock, cinematic orchestration, and operatic flair into a thirteen-minute exploration of humanity’s identity in a digitized universe. Across its three tracks—We Are All Bots, To the Space and Beyond, and Eternità—the listener is taken on a symbolic journey through technology, space, and the timeless myth of immortality.

Explore Jakub Poćwiardowski & Lili’s The Dark Side of the Mole, a concept album blending prog rock, classical, and ambient into an unforgettable soundscape.

What if Bach wrote music based on Swedish folk tunes? No need to wonder—just listen to Ur egen fatabur by Jon-Olov Woxlin. A collection of 21 original pieces written for solo violin, this album blends traditional folk tunes with the elegance and structure of Baroque music.

uLove: Rayhan’s Version is a set of eleven pieces by the hip hop artist Rayhan — a bold debut album that hits like a wooden roller coaster: rough, thrilling, and real. From the first track to the last, this album tells a coming-of-age story soaked in love, lust, heartbreak, survival, and reflection. Rayhan, a rapper, actor, and comedian from Scarborough, Toronto, uses his full range of creativity to bring a multi-genre sound that refuses to stay in one lane.

Shiprock is a collection of nine instrumental pieces composed and performed by Sam Miller and Matt Badger—two seasoned multi-instrumentalists whose collaboration speaks volumes without uttering a single word. Spanning a range of styles and emotions, the album unfolds like a cinematic narrative, inviting the listener on an intimate and expressive journey. Each track feels like a chapter in a story told through melody, rhythm, and texture—an emotional arc crafted with nuance, h

Nikola Pešić’s new release Skies is a personal diary written in sound — ten heartfelt pieces, each as expansive and open as the sky itself. With this album, Nikola shares intimate sentiments through his virtuosic fingers and the expressive keys of his piano.

In an age where playlists are flooded with algorithm-tailored tracks and momentary hooks, Niro Knox stands defiant. His music doesn't just echo the golden era of hard rock—it reignites it with a spirit that’s raw, emotionally charged, and unapologetically real. Listening to Niro Knox is like rediscovering what made rock matter in the first place.

The timbre of the harp is inherently otherworldly, as if sent from the heavens. It’s no wonder that this magical sound invites contemplation

Eleven interconnected pieces of ambient music dissolve the boundaries of traditional musical intervals in Drifting Intervals, the latest alb