A Shape of Thought by Avalon Skies
- Arashk Azizi
- Jun 14
- 3 min read
Avalon Skies’ debut full-length album A Shape of Thought is not here to dazzle with overstatement—it’s here to exist. Gently, honestly, and with emotional depth. What began, in the artist’s words, during a mentally challenging time has evolved into “a healing journey and a path to getting to know my own thoughts.” That sense of inward reflection permeates the album’s pacing, structure, and sound design.
This is an album built not around grand melodic arcs, but around rhythmic flow. That’s not to say there are no melodies—there are, and at points they’re truly beautiful—but melody is not the primary voice here. If you’re coming in expecting Vivaldi or complex lyrical themes, you’ll be surprised—maybe even challenged. Some parts may feel minimal, even sparse. But instead, A Shape of Thought leans into trancelike rhythms and layered textures. These gently pull you in, one patterned breath at a time. It’s not about showcasing musical fireworks—it’s about inviting the listener into a meditative trance. The beats don’t command; they guide.
And yet, beneath that rhythmic surface, there’s intention. Thoughtfulness. Even storytelling. One way to experience the album is to simply let it wash over you—but look closer, and the track names themselves suggest a kind of narrative arc. It begins with “Woven” and “In Solitude,” evoking an introverted start, a place where thoughts are entangled and the self is quiet. The music is mostly instrumental, soft-spoken and personal—until it blooms open with “Let It Be a Dream,” the eighth track and the album’s only vocal piece. Here, Noora Salmi’s voice adds a human touch to the inward journey, a shimmering light in the fog. The lyrics and vocal presence give this moment emotional clarity, almost like a realization or an emotional release.
The story then leads into “Coda”—a fitting title for what feels like a musical summation—and closes with “Ode to Life,” which plays like a final encore. At just over two minutes, it’s short but powerful. It leaves a sense of peace, like a deep breath after emotional reckoning.

From a purely analytical standpoint, I could dissect its structure, discuss what could have been made more dynamic, or debate whether the harmonic language could be richer. But that, frankly, would be unfair. Because this album doesn’t pretend to be something it’s not. It doesn’t chase trends or imitate others. It’s not trying to “impress the critics.” What it does is offer a sincere glimpse into a private world. And that, in itself, deserves respect.
As someone who's worked in the music industry for years, I can confidently say: you can hear when music is made with love. You can hear when it comes from necessity, not strategy. And that's what stands out most in A Shape of Thought. This album feels like it had to be made—it was not optional. As the artist puts it,
“If your own thoughts can make you miserable, they can also heal you and create something wonderful.”
That line alone captures the core of this project.
If I want to explain this album in one sentence, I’d say, A Shape of Thought is a rhythmic diary written during a storm, and shared under clear skies.
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