We Are All Bots by Andrea Pizzo and the Purple Mice is a compact yet ambitious concept EP that fuses electro-rock, cinematic orchestration, and operatic flair into a thirteen-minute exploration of humanity’s identity in a digitized universe. Across its three tracks—We Are All Bots, To the Space and Beyond, and Eternità—the listener is taken on a symbolic journey through technology, space, and the timeless myth of immortality.

Jazz meets rock, and Out of the Darkness emerges as a bold, genre-defying statement from the brilliant singer and musician Stephanie Bettman. This album presents a collection of 14 original tracks that blend folk, pop, rock, jazz, and Latin influences with fearless creativity and emotional depth. More than just a stylistic experiment, it’s a testament to Bettman’s evolution as an artist—one who dares to push boundaries while staying true to the soul of her storytelling.

When I first encountered the music of Lauré Lussier, I wasn’t prepared for how deeply it would stir me. There’s a palpable breath in his compositions—something alive, something not imposed but revealed, unearthed. Though I sensed the subtle hand of minimalism, what truly captivated me was how seamlessly he integrates orchestral language with natural and synthetic soundscapes. His works don’t simply use sound—they become it.

Shiprock is a collection of nine instrumental pieces composed and performed by Sam Miller and Matt Badger—two seasoned multi-instrumentalists whose collaboration speaks volumes without uttering a single word. Spanning a range of styles and emotions, the album unfolds like a cinematic narrative, inviting the listener on an intimate and expressive journey. Each track feels like a chapter in a story told through melody, rhythm, and texture—an emotional arc crafted with nuance, h

The timbre of the harp is inherently otherworldly, as if sent from the heavens. It’s no wonder that this magical sound invites contemplation

Eleven interconnected pieces of ambient music dissolve the boundaries of traditional musical intervals in Drifting Intervals, the latest alb

Ratyński's Snug as a Gun is a sentimental overflow of emotions poured onto a classical guitar. This short EP consists of two pieces.

In the beginning, there was music—a connection made in the abstract, a message encoded in waves, only readable by the soul.

“The Neoclassical Propaganda” by Keou ISSABRE is a classical album featuring six marvelous pieces for piano, violin, and clarinet.

“Fear Not the Water” by Kyle Preston is a collection of eight stories narrated through musical soundscapes.