Cornfield Reference is a six-chapter album by Graff Hoysfeld that plays like a personal log or memoir—only instead of words, it uses sound. These sounds tell stories of beauty, of light and gloom, of dawn and dusk. It’s a sentimental reflection of a private world, suspended somewhere between memory and imagination.

“Post Scriptum De Caelwyn et Campana” is more than just an instrumental piece—it’s a quiet revelation, a musical epilogue steeped in the mythos of Alexander Paul Burton’s fantasy novel The Hollow Vale. Though it is, at its core, a solo piano work, it manages to sound like much more. The piano becomes a storyteller here, an ancient voice whispering through melody and texture. Burton, primarily a pianist since the age of fifteen, steps into the role of a sonic world-builder wit

What if Bach wrote music based on Swedish folk tunes? No need to wonder—just listen to Ur egen fatabur by Jon-Olov Woxlin. A collection of 21 original pieces written for solo violin, this album blends traditional folk tunes with the elegance and structure of Baroque music.

I’ve always been drawn to the idea that consciousness isn’t a privilege reserved for humans. What if everything—objects, places, even the air between us—has its own form of awareness? It may be beyond our comprehension, but it’s a poetic and powerful notion. This idea is called panpsychism, and it’s the perfect name for Test Patterns’ latest album.