When I first encountered the music of Lauré Lussier, I wasn’t prepared for how deeply it would stir me. There’s a palpable breath in his compositions—something alive, something not imposed but revealed, unearthed. Though I sensed the subtle hand of minimalism, what truly captivated me was how seamlessly he integrates orchestral language with natural and synthetic soundscapes. His works don’t simply use sound—they become it.

Shiprock is a collection of nine instrumental pieces composed and performed by Sam Miller and Matt Badger—two seasoned multi-instrumentalists whose collaboration speaks volumes without uttering a single word. Spanning a range of styles and emotions, the album unfolds like a cinematic narrative, inviting the listener on an intimate and expressive journey. Each track feels like a chapter in a story told through melody, rhythm, and texture—an emotional arc crafted with nuance, h

Eyes Like Torches at the Gate features two solo guitar pieces by the Polish composer and guitarist Ratyński. The music is striking, expressive, and rhythmically intricate. I was especially drawn to the way different rhythmic patterns emerge and evolve, adding depth and emotional resonance to each piece.

Ratyński's Snug as a Gun is a sentimental overflow of emotions poured onto a classical guitar. This short EP consists of two pieces.

Usually, I write reviews about music composed by other musicians. This time, though, I’ll be writing about my own music Elegy Sonata