Giuseppe Cucé’s 21 Grammi is a warm-blooded, southern European tapestry woven from soul, cantautorato, and lightly brushed shades of Latin music. The album feels acoustic, alive, and deeply human. Every instrument breathes. Every phrase carries emotional intention. And throughout its eleven tracks, Cucé’s voice is never an ornament or an authority, but a vital thread: integrated, embraced, and perfectly fused with the ensemble around him.

Last week, I finally attended a performance I’ve been waiting for a long time—Lohengrin by Richard Wagner, staged by the Estonian National Opera (Rahvusooper Estonia). Yes, it’s the one with the famous wedding march, but this opera is far more than just that melody. It’s a monumental work of Romantic grandeur, and experiencing it live was unforgettable. The music was striking, the singers were nothing short of unbelievable, and the costume design was absolutely stunning.

Dolly Suite is one of the brightest and most delicate pieces by the French composer Gabriel Fauré.