Anton Donovan’s new EP, You’re a Good Person, lands with the kind of theatrical flair that feels both self-aware and devastatingly sincere. A classically trained musician with roots in improvisational comedy, Donovan has always balanced satire with confession. Here, he leans into that duality with a jazz-inflected orchestral palette: brass sections that swell like Broadway overtures, strings that sigh like chamber music in disrepair,