Anton Donovan’s new EP, You’re a Good Person, lands with the kind of theatrical flair that feels both self-aware and devastatingly sincere. A classically trained musician with roots in improvisational comedy, Donovan has always balanced satire with confession. Here, he leans into that duality with a jazz-inflected orchestral palette: brass sections that swell like Broadway overtures, strings that sigh like chamber music in disrepair,

Giuseppe Cucé’s 21 Grammi is a warm-blooded, southern European tapestry woven from soul, cantautorato, and lightly brushed shades of Latin music. The album feels acoustic, alive, and deeply human. Every instrument breathes. Every phrase carries emotional intention. And throughout its eleven tracks, Cucé’s voice is never an ornament or an authority, but a vital thread: integrated, embraced, and perfectly fused with the ensemble around him.