With Luz De La Luna, Justin Garcia presents a deeply atmospheric continuation of the meditative journey he began on De El Vacío. This new release unfolds like a dream journal narrated through guitar strings, brass swells, and percussive grooves, all steeped in a rich blend of Latin textures, jazz improvisation, and ambient soundscapes. It’s a work that feels both expansive and introspective—cinematic in its pacing, yet intimate in its execution.

Wind moving across a golden wheat field, plants swaying in rhythm with the breeze, that’s the image that came to mind when I first heard the guitar arpeggios of Ratyński’s Surprise Stopover. The guitar is once again at the center of his music, not just as an instrument, but as a narrator guiding us through shifting landscapes.

Stories Untold: Act I by Tristen Bishop is the opening chapter of a project that invites the listener to become a co-creator. Instead of dictating a specific story, the music opens up a space for imagination—whether one is a writer, a painter, or simply someone who enjoys building narratives in their mind while listening. This EP is not about telling the story directly, but about offering sonic fragments and emotional colors that inspire the listener to tell their own.

The cello in classical music holds a place of unmatched depth and resonance. Its voice—warm, human-like, and infinitely expressive—has made it one of the most beloved instruments in the world. Tracing its origins reveals a journey from Renaissance string innovations to the modern symphony orchestra, and from intimate chamber settings to the grandest concert halls. Today, the cello has stepped far beyond the confines of classical tradition, becoming a powerful voice in genres

There’s a certain kind of music that doesn’t just entertain—it invites you to breathe, slow down, and reconnect with yourself. El Silencio Interior by Guitarra de Aventura is one such work. This four-track EP is a delicate and heartfelt exploration of stillness, emotion, and gentle movement. Don’t get me wrong, it’s not an ambient album, on the contrary it’s an album full of melodies, dance and percussion, it’s full of life. But it’s not a city life, it comes from nature, it

When a composer like Lauré Lussier releases a new work, one does not approach it lightly. His previous compositions, haunting, intricate, often cinematic, have already established him as a contemporary voice who blurs the lines between orchestration, sound design, and storytelling. Driftsways by Lussier takes another bold step forward. This two-part electroacoustic work, comprised of “Themes & Variations” and “Rondo,” is less a collection of pieces than it is a sonic architec

Australian composer and pianist Andrew Keese has announced the release of his forthcoming album Illuminator, alongside a series of European concert dates set for summer 2025.

Gravity of the Ocean by Aliya Lark, the London-based neoclassical composer and pianist, is a six-track instrumental work that blends felt piano, ambient textures, delicate strings, and subtle electronics. Released on July 18, 2025, the album marks the next step in her emotionally nuanced musical storytelling—a sound world already praised by BBC Radio 3 and featured on Spain's AD21 Music.

With his new single “Sentieri”, Italian cellist and composer Luca Basile invites us once again into a cinematic soundscape where classical roots meet modern epic storytelling. Following the release of his debut album Il Viaggio, this piece marks the beginning of a new musical journey, serving both as a spiritual continuation and a bold introduction to his upcoming second album. “Sentieri”—Italian for “paths”—is not only a title, but also a metaphor for the emotional terrain t

The new single release by the renowned pianist and composer Alessandra Toni is a musical gem waiting to be discovered. See You Again by Alessandra Toni is a poignant, cinematic piece that gracefully blends her delicate piano touch with the emotive presence of the string trio “OP3.” Together, they breathe life into a soundscape that feels both personal and universal—a moment suspended between memory and longing.

Nick Pike returns with Phraxia, his third studio album, following the textural richness of Norastoria and the soothing atmospheres of Evergreen. This new release presents a more nuanced evolution of his neoclassical voice—a sonic landscape where solo piano takes center stage, delicately intertwined with shimmering electronic textures and ambient washes.

There are artists who compose music, and then there are artists who reveal something of the world—and of themselves—through sound. Andrew Keese belongs to the latter. An Australian composer, pianist, and multi-instrumentalist, his work resists easy categorization. It walks the line between neoclassical, ambient, and post-rock, but never settles comfortably into any single label. What sets him apart is not just his aesthetic, but the way his music feels lived rooted in experie

As someone who has had the honor of working with Matteo Ramon Arevalos, listening to his new album LEO felt like stepping once more into a realm of sonic wonder—a place where the familiar transforms and the piano becomes not just an instrument, but a world.

In Principle of Least Action, guitarist and composer Ricardo Urquiza has crafted an exceptional conceptual EP rooted in both physical law and musical structure. The title is borrowed from a fundamental idea in physics—that nature follows the path of least resistance, or least effort. Ricardo transforms this scientific principle into a musical metaphor, navigating through structured harmonic repetition and fluid improvisation with elegance and intention.

Cornfield Reference is a six-chapter album by Graff Hoysfeld that plays like a personal log or memoir—only instead of words, it uses sound. These sounds tell stories of beauty, of light and gloom, of dawn and dusk. It’s a sentimental reflection of a private world, suspended somewhere between memory and imagination.

What if Bach wrote music based on Swedish folk tunes? No need to wonder—just listen to Ur egen fatabur by Jon-Olov Woxlin. A collection of 21 original pieces written for solo violin, this album blends traditional folk tunes with the elegance and structure of Baroque music.

Vrihi, a Sanskrit word meaning "rice," is a sonic work that explores the expressive power of the human voice, conceived as a vessel of invisible memories and submerged narratives. In this piece, disparate voices are fragmented, manipulated, and reassembled into a complex acoustic tapestry, where subtle timbres and granular textures merge to generate unheard sonic forms.

Internationally acclaimed pianist Peter Simon has long been known for his ability to connect with audiences beyond the stage. This May, he will bring that same sense of connection and care to a unique series of performances in Israel—not to dazzle with spectacle, but to share the quiet power of music in places where it’s needed most.

Shiprock is a collection of nine instrumental pieces composed and performed by Sam Miller and Matt Badger—two seasoned multi-instrumentalists whose collaboration speaks volumes without uttering a single word. Spanning a range of styles and emotions, the album unfolds like a cinematic narrative, inviting the listener on an intimate and expressive journey. Each track feels like a chapter in a story told through melody, rhythm, and texture—an emotional arc crafted with nuance, h

Nikola Pešić’s new release Skies is a personal diary written in sound — ten heartfelt pieces, each as expansive and open as the sky itself. With this album, Nikola shares intimate sentiments through his virtuosic fingers and the expressive keys of his piano.