There are albums that entertain, and there are albums that speak. Unspoken Conversations, the latest release by pianist and composer Barry DeGroot, belongs firmly to the latter. It is an intimate collection of seven instrumental pieces where every note feels like a fragment of an unspoken dialogue between the heart and the piano. Rooted in neo-classical and new age aesthetics, the album unfolds as a tender confession, a private diary finally shared with the world after years

Gravity of the Ocean by Aliya Lark, the London-based neoclassical composer and pianist, is a six-track instrumental work that blends felt piano, ambient textures, delicate strings, and subtle electronics. Released on July 18, 2025, the album marks the next step in her emotionally nuanced musical storytelling—a sound world already praised by BBC Radio 3 and featured on Spain's AD21 Music.

Nick Pike returns with Phraxia, his third studio album, following the textural richness of Norastoria and the soothing atmospheres of Evergreen. This new release presents a more nuanced evolution of his neoclassical voice—a sonic landscape where solo piano takes center stage, delicately intertwined with shimmering electronic textures and ambient washes.

There are artists who compose music, and then there are artists who reveal something of the world—and of themselves—through sound. Andrew Keese belongs to the latter. An Australian composer, pianist, and multi-instrumentalist, his work resists easy categorization. It walks the line between neoclassical, ambient, and post-rock, but never settles comfortably into any single label. What sets him apart is not just his aesthetic, but the way his music feels lived rooted in experie

Velvet Lark invites us into a quiet world of faded memories and sonic fragments in Letters Never Sent, a debut album composed like a handwritten note left on a windowsill—personal, tender, and ephemeral. The project unfolds in seven delicate pieces, just over ten minutes long, but rich with the weight of emotion, memory, and unspoken thoughts.

“Post Scriptum De Caelwyn et Campana” is more than just an instrumental piece—it’s a quiet revelation, a musical epilogue steeped in the mythos of Alexander Paul Burton’s fantasy novel The Hollow Vale. Though it is, at its core, a solo piano work, it manages to sound like much more. The piano becomes a storyteller here, an ancient voice whispering through melody and texture. Burton, primarily a pianist since the age of fifteen, steps into the role of a sonic world-builder wit

Aaron Vaurio Jackson’s Not Yet Home is a soundscape of longing, and a diary of contrasts It is a sonic map, a map of the heart.

"Elementary Play" is a captivating album comprising eleven instrumental pieces by the talented musician Joram Feitsma.