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letters never sent by Velvet Lark

  • Writer: Arashk Azizi
    Arashk Azizi
  • Jun 16
  • 2 min read

Updated: Jun 18


Velvet Lark invites us into a quiet world of faded memories and sonic fragments in Letters Never Sent, a debut album composed like a handwritten note left on a windowsill—personal, tender, and ephemeral. The project unfolds in seven delicate pieces, just over ten minutes long, but rich with the weight of emotion, memory, and unspoken thoughts.
letters never sent by Velvet Lark

Velvet Lark invites us into a quiet world of faded memories and sonic fragments in Letters Never Sent, a debut album composed like a handwritten note left on a windowsill—personal, tender, and ephemeral. The project unfolds in seven delicate pieces, just over ten minutes long, but rich with the weight of emotion, memory, and unspoken thoughts.


Each track reflects a personal chapter, blending neoclassical piano with organic sound effects that breathe life into the spaces between notes. Rather than standing at the front, the piano often recedes gently into the background—as if playing from another room—allowing listeners space to reflect and wander.

The opening track, "Intro – Letters Never Sent," sets the tone with the faint rustle of paper, suggesting a letter never written or one read too many times. "Run in the Wind" follows with mechanical textures from the piano itself—claviers, hammer action—evoking the feeling of motion and solitude. "Unbroken, Unheard" features distant rain and delicate string undertones, expanding the emotional weight without overwhelming the core piano.


"Maybe Tomorrow" stands out for its emotional restraint, gradually dissolving into the soft purring of a cat—a gentle gesture of comfort, fatigue, and familiarity. "Orange White," dedicated to her beloved pet, begins with an electric piano motif and evolves into a reverb-drenched blend of strings and felt piano. "Memory Under Eyelid" immerses the listener in nature’s stillness, while "Summer Dream" closes the album with rainfall and a dreamlike haze, echoing a restless summer night.

"Maybe Tomorrow" stands out for its emotional restraint, gradually dissolving into the soft purring of a cat—a gentle gesture of comfort, fatigue, and familiarity. "Orange White," dedicated to her beloved pet, begins with an electric piano motif and evolves into a reverb-drenched blend of strings and felt piano. "Memory Under Eyelid" immerses the listener in nature’s stillness, while "Summer Dream" closes the album with rainfall and a dreamlike haze, echoing a restless summer night.


Behind the name Velvet Lark is Wenjie Zhu, a classically trained pianist who once paused her musical journey for the demands of life—studies, work, moving continents. But like the echo of a melody that never quite leaves you, music remained her anchor. Velvet Lark is the name she chose to reclaim that part of herself, letting intuition guide her hands and heart as she learned to produce, compose, and improvise once more.


With Letters Never Sent, Velvet Lark shares a quiet world where thoughts are shaped by sound, and sound is softened by feeling. For fans of ambient neoclassical works, this release offers a moment of pause and presence in an ever-busy world.



This review was written as part of a promotional service provided by Tunitemusic, based on information submitted by the artist.

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